Chain of Thorns by Cassandra Clare
- Feb 9, 2023
- 7 min read

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- Chain of Thorns by Cassandra Clare
**ATTENTION: THIS POST CONTAINS MAJOR SPOILERS! I highly advise you to read the book before my review!**
Genre: YA paranormal urban fantasy/historical fiction
Overall rating: 3.75/5
# books in series: 3
Tropes: love triangle, miscommunication
Song: "London Boy" and "Paris" by Taylor Swift
Synopsis: I'm not going to include it here because this post is long enough already, and chances are you know what this book is about if you're here
My Review:
The first thing to establish: I loved this book. One of its best elements is definitely the pacing - with the two earlier installments I felt like it took a long time to get pulled in, or there were stagnant periods in the middle, but ChoT really delivered in that department. The characters all have my entire heart. I love them, I love their relationships with each other, especially the siblings.
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But. I bet you felt that "but" hanging over that entire paragraph. I have several "buts", in fact.
For everything that was good about this book, there were several specific elements that drove me nuts. So prepare for a rant, keeping in mind that it all comes from a place of love (and knowing the large potential this book had).
1. The glaringly obvious fact that the entire plot basically depended on the miscommunication trope.
I absolutely love James, Cordelia, and Matthew, Iβm sorry, but all of them keeping such huge secrets from each other (and everyone else) for 800 pages was just too much. It didnβt feel in character, and even if it were, itβs just such lazy writing. At least Cordelia extended the paladin secret to the main cast of characters (though she should have also told the adults) and Matthewβs mistake was kind of crucial to his whole character arc with the alcoholism and just likeβ¦everything? It was slightly more understandable. But for the LIFE OF ME, I could not understand why James refused to tell anyone that his free will was literally stolen from him for like? Weeks? Months?? I donβt remember the exact timeline, but it doesn't matter. I know the last things he wants from other people is pity but likeβ¦not telling the girl youβre hopelessly in love with (and freaking MARRIED to) that you werenβt actually cheating on her? I get that it was like 90% of his internal struggle as a character, but when he does tell her (and everyone) it really changes nothing major, except that the reader is happy, Herondaisy is happy (for a little while at least) and the plot of Belial taking over the world is still happening. Herondaisy being honest and in love with each other doesnβt change that; if anything it ups the stakes for a more suspenseful story. Iβm not saying the reveal should have happened right away, but the deceptions should never have gone on as long as they did.
2. So much of the charactersβ experiences are told, not shown.
And ultimately - especially in the Shadowhunters series, when all the plots are the same and itβs the characters driving the stories - those experiences, struggles, growth, are what make books interesting and unique. I wanted to have scenes where Matthew tells Charlottehenry about the potion and his bottle battle, Wessa finding out about the bracelet, Ari and Fiona reconciling, and most importantly, PEOPLE FINDING OUT ABOUT KIT, not just throwaway sentences like βOnce James had told his parents the tale of the bracelet and the curse, they had been devastatedβ (Clare 756).
Which brings me to point 3: Christopher Lightwoodβs death was done so dirty.
Can someone explain to me what happened here because like. This book came from the same woman that wrote Clockwork Princess. Lord of Shadows. I know she knows how to write a character death well. That was not the case in Chain of Thorns.
First of all, if youβre going to kill off a character, you need to have a motive for it besides just shocking the reader - unless the whole point is that they died needlessly, which basically is a motive in itself. The only thing I can come up with here is that Grace needed some kind of redemption, so Cassie had to get Kit out of the way in order for her to finish inventing the fire messagesβ¦? I donβt know. That doesnβt really sit well with me. But even more than the motive, what I hated was how thereβs literally one scene of the main cast grieving - which was an amazing scene, by the way, I absolutely cried - but you canβt just say 'oh yeah this character died, ok bye.' Where is the time for processing?? Yes, I get that itβs the bookβs almost climax, but what about after the final battle when the rest of the Enclave comes back? What about CECILY AND GABRIEL FINDING OUT?? I cannot stress this enough, poor Kit just got completely overlooked in favor of the big end scene. Speaking of which, Intermission: Grief was such a rip-off. I get that Cordeliaβs devastated from watching her love triangle disappear to Edom, but like... give me Intermission: Grief from Annaβs pov?? Maybe actually grieving the PERSON THAT JUST DIED???
The perfect segway to point 4: the stakes felt so low in this book.
This is the fourth main series Cassie has written; we know how it works by now. Hero and heroine save the day, thereβs maybe a little scare, but no one importantβs going to kick the bucket. I guess I was hoping we might vary the script a bit with TLH? One of the biggest reasons Intermission: Grief didnβt hit very hard was that it was mostly Cordelia losing it over James being taken to Edom, I get it, she just 'got him back' to lose him again, but weβre made to feel like he died, to the point where I was rereading back to make sure I hadnβt somehow missed something. The thing is, the TMI gang already went to Edom and back in COHF and were fine? Yeah, Simon loses his memories, but only temporarily, and in the end gets to be a Shadowhunter instead of vampire, so it kind of works out for the best. Therefore because theyβd already faced that particular challenge, I just kind of assumed it would work out the same way with James and Matthew. and if it hadnβt - if Matthew had to stay behind permanently for some reason - that would have been a different story. (Now please understand, Iβm not wishing that particular scenario had taken place, Iβm not that mean to myself. Iβm trying to make a point here, stick with me.) But it did work out, exactly the same way, and thatβs why I never really felt scared for them, or sad because I thought they wouldnβt get back, or anything like that.
The ending lacked the punch I was hoping for. Itβs a lose/lose situation all around, because I would be heartbroken if any of these characters died. But if every book ever written always had a fairytale ending, there would never really be any stakes? It makes it hard to be concerned about anyoneβs safety. And though I hate saying this, if any of Cassieβs series were to break the mold, it should be this one. None of the main TLH gang is immortal (as far as we know) and theyβre going to die by the time TMI/TDA roll around anyway, of old age if nothing else, like Will did. So maybe it would be better than killing off, like, Blackstairs...? Iβm probably going to get canceled for even suggesting such a thing, but Iβm doing it anyway.
A few other things before wrapping up:
- I know I talked a lot about James being insufferably dense, but I promise I did love him in this book. Heβs definitely one of my top Shadowhunters characters and I would marry him in a heartbeat.
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I love Herondaisy. They have the cutest ship name too (I can't believe there are people who willingly call them Jordelia).
- Iβm sorry, but the James-Cordelia-Matthew love triangle just did not work. I think itβs because Cassie invested so much into Herondaisy the first two books, and I was never really given a good reason to ship Cordelia and Matthew. Possibly also I wanted another Herongraystairs, which definitely didnβt happen. (Because theyβre unparalleled and no one will ever be as good as them.)
- Jesse and Lucie (Iβm not sure what their official ship name is, but Iβve seen Ghostwriter floating around and kind of love it even though itβs not accurate in this book!) I wasnβt a huge fan of them in the previous two books for some reason? I guess I never really felt their chemistry, but I liked them so much more in ChoT. They were so sweet and supportive of each other, and just a great background presence (well, Jesse was. Lucie Herondale is a background to absolutely no one, sheβs a Strong Iconic Presence.)
- This wasnβt one of my main concerns, but Thomas felt kind of sidelined in this book, which made me sad because heβs so wonderful. His role was basically just love interest, but I would have loved maybe more scenes of Thomas taking care of the other three Merry Thieves while theyβre busy saving the world? The soft platonic domesticity potential? Thomastair is great, but Thomas is more than just half a couple.
Listen. I could go on about this book for hours. But it would just spiral into incoherent rambling after a while (if it hasnβt already), so Iβm going to put a plug in it and ask for your thoughts in the comments. What did you think about Chain of Thorns? Did you agree/disagree with any of the parts of my review?
Add Chain of Thorns to your Goodreads TBR here (also the previous installments Chain of Iron and Chain of Gold)!



Yes, Kit's death changed everything for me. I really enjoyed reading to that part and after it was pointless kinda. And they didnt mourn him that much, i know they were in a war with Belial, but after maybe?
I agree with everything you said, How they kept secrets from each other, especially James bothered me, he loved her soo much and for so long and couldnt tell her( like wtf).Cassandra killed Kit for no reason and left Grace alone for what? ( i really liked them together). I too kinda expected Matthew to die, like everyone, and i think that Cassandra on purpuse killed Kit to add unexpected twist.When Belial possessed James and Cordelia had to stab him in order to kill Belial, for me was kinda predictable and already done like when Clary stabed Jace in City of lost souls. It would have been great to see the characters from infernal devices as parents helping their kidβ¦